The where-does-that-other-sock-go mystery has been solved in the video for the Postal Service’s “
The Postal Service – “A Tattered Line Of String” Video
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In a year already frontloaded with critically beloved and big name releases, it might be easy to overlook one of the year’s most wonderful records — Matthew E. White’s Big Inner. Originally released in 2012 on Hometapes and given a proper re-release earlier this year via Domino, Big Inner is, in some ways, something of a lark. Recorded in White’s attic at home in Richmond, Virginia alongside the Spacebomb House Band (a coterie of local Richmond musicians White has assembled to work as an ongoing collective), the album originally created as a kind of experiment. (“Originally I was only supposed to press, like, 250 copies of this thing!” he says) After sharing the recordings with friends, the album eventually took on a life of it’s own — eventually garnering a deal with Domino and sending White out on the road with his band for the better part of two years. Garnering comparisons to everyone from Allen Toussaint to, more frequently, Randy Newman, Big Inner is a fascinating hybrid of American roots music and jazz-infused gospel — a sonic experiment that addresses religion and human failings with the kind of open-hearted earnestness that is exceptionally rare within the milieu of contemporary indie rock. I caught up with White during his recent visit to NYC to discuss just how Big Inner came to be and how the record has essentially changed his life completely.
Matthew E. White On The Unexpected Success Of His Debut Album, Big Inner, And What Happens Next
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At Rock The Garden 2013 this week Low (who we recently did a
Low’s Alan Sparkhawk Defends Droning, One-Song Festival Set
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